Sandra cisneros my name thesis

I've received many other honors, including the Texas Institute of Letters Dobie-Paisano Fellowship, l984; and an Illinois Artists Fellowship, l984; the Chicano Short Story Award from the University of Arizona, l986; the Roberta Holloway Lectureship at the University of California, Berkeley, l988; two National Endowment for the Arts Literature Fellowships in poetry and prose, 1982, 1988; an honorary Doctor of Letters from the State University of New York at Purchase, l993; an honorary Doctor of Humane Letters from Loyola University, Chicago, 2002; and honorary degrees from DePaul University in 2014 and from the University of North Carolina at Chapel Hill in 2016; the Texas Medal of the Arts , 2003; the Fifth Star Award  presented by the Chicago Department of Cultural Affairs and Special Events, 2015; Tia Chucha’s Lifetime Achievement Award; the Fairfax Prize in 2016. Most recently, I received the Ford Foundation's Art of Change Fellowship. 

Unbeknownst to Esperanza, her naiveté and inexperience is normal. For example, in 'Gil's Furniture Bought & Sold' Esperanza assumes that a music box is "...a pretty box with flowers painted on it, with a ballerina inside..." but when it's revealed to her that a music box is just "...a wood box that's old and got a big brass record in it with holes" she feels ashamed she did not know better. Despite her low self-esteem she still keeps hold of her dream of acquiring "A house all my own." Esperanza's poverty acts as a physical obstacle from leaving Mango Street, but it does not prevent her from creating dreams and desires. On Mango Street Esperanza lives in a dilapidated, tiny house; a house with "bricks ...crumbling in places..." "Everybody has to share a bedroom..." From this poverty was born Esperanza's dream. "I knew then I had to have a house. A real house." Although her dream is to live in a house "with trees around it, a great big yard, and grass growing without a fence," Esperanza does not plan to abandon those who cannot leave Mango Street. "They will not know I have gone away to come back. For the ones I left behind." Esperanza maintains a commitment to her roots on Mango Street.

This is Esperanza’s reply to Alicia in “Alicia & I Talking on Edna’s Steps” after Alicia insists that Esperanza does have a house, and that it is right there on Mango Street. This exchange occurs near the end of the novel, when Esperanza is realizing she does indeed belong on Mango Street. Instead of insisting that she does not belong, here she says she doesn’t want to belong, which suggests that Esperanza understands that she actually does. She has realized that she is not intrinsically different from the other women in her neighborhood. She has met other women in the neighborhood who write, women who share her desire to escape, women who are interested in boys, and women, like Alicia, who desire education. Her previous feelings of superiority and difference were only childish ways of obscuring the truth: Mango Street is part of Esperanza. No matter how far she goes, she will never truly escape it.

Sandra Cisneros short story “Eleven” is a unique story filled with distinctive thoughts and an interesting overall plot. Filled with exhilaration and humor, it depicts an eleven-year-old girl’s eleventh birthday. Yet, underneath the age of eleven, this girl believes she is still ten, nine, eight, seven, six, five, four, three, two, and even one! According to her, all your younger emotions are still in you as you grow older. For instance, sometimes you might cry and act as though you are three. But no matter what she thinks, she is turning eleven on the day described in the story.

Sandra cisneros my name thesis

sandra cisneros my name thesis

Sandra Cisneros short story “Eleven” is a unique story filled with distinctive thoughts and an interesting overall plot. Filled with exhilaration and humor, it depicts an eleven-year-old girl’s eleventh birthday. Yet, underneath the age of eleven, this girl believes she is still ten, nine, eight, seven, six, five, four, three, two, and even one! According to her, all your younger emotions are still in you as you grow older. For instance, sometimes you might cry and act as though you are three. But no matter what she thinks, she is turning eleven on the day described in the story.

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